Sonnet XVII

by Pablo Neruda

I do not love you as if you were salt-rose, or topaz,
or the arrow of carnations the fire shoots off.
I love you as certain dark things are to be loved,
in secret, between the shadow and the soul.
I love you as the plant that never blooms
but carries in itself the light of hidden flowers;
thanks to your love a certain solid fragrance,
risen from the earth, lives darkly in my body.
I love you without knowing how, or when, or from where.
I love you straightforwardly, without complexities or pride;
so I love you because I know no other way
than this: where I does not exist, nor you,
so close that your hand on my chest is my hand,
so close that your eyes close as I fall asleep.

The Sick Rose

by William Blake

O Rose thou art sick.
The invisible worm,
That flies in the night
In the howling storm:

Has found out thy bed
Of crimson joy:
And his dark secret love
Does thy life destroy.

Cino

by Ezra Pound


Italian Campagna 1309, the open road


Bah! I have sung women in three cities,
But it is all the same;
And I will sing of the sun.

Lips, words, and you snare them,
Dreams, words, and they are as jewels,
Strange spells of old deity,
Ravens, nights, allurement:
And they are not;
Having become the souls of song.

Eyes, dreams, lips, and the night goes.
Being upon the road once more,
They are not.
Forgetful in their towers of our tuneing
Once for wind-runeing
They dream us-toward and
Sighing, say, "Would Cino,
Passionate Cino, of the wrinkling eyes,
Gay Cino, of quick laughter,
Cino, of the dare, the jibe.
Frail Cino, strongest of his tribe
That tramp old ways beneath the sun-light,
Would Cino of the Luth were here!"

Once, twice a year---
Vaguely thus word they:

"Cino?" "Oh, eh, Cino Polnesi
The singer is't you mean?"
"Ah yes, passed once our way,
A saucy fellow, but . . .
(Oh they are all one these vagabonds),
Peste! 'tis his own songs?
Or some other's that he sings?
But *you*, My Lord, how with your city?"

My you "My Lord," God's pity!
And all I knew were out, My Lord, you
Were Lack-land Cino, e'en as I am,
O Sinistro.

I have sung women in three cities.
But it is all one.
I will sing of the sun.
. . . eh? . . . they mostly had grey eyes,
But it is all one, I will sing of the sun.

"'Pollo Phoibee, old tin pan, you
Glory to Zeus' aegis-day,
Shield o' steel-blue, th' heaven o'er us
Hath for boss thy lustre gay!

'Pollo Phoibee, to our way-fare
Make thy laugh our wander-lied;
Bid thy 'flugence bear away care.
Cloud and rain-tears pass they fleet!

Seeking e'er the new-laid rast-way
To the gardens of the sun . . .


* * *



I have sung women in three cities
But it is all one.
I will sing of the white birds
In the blue waters of heaven,
The clouds that are spray to its sea."

Because I could not stop for Death

by Emily Dickinson

Because I could not stop for Death,
He kindly stopped for me;
The carriage held but just ourselves
And Immortality.

We slowly drove, he knew no haste,
And I had put away
My labor, and my leisure too,
For his civility.

We passed the school, where children strove
At recess, in the ring;
We passed the fields of gazing grain,
We passed the setting sun.

Or rather, he passed us;
The dews grew quivering and chill,
For only gossamer my gown,
My tippet only tulle.

We paused before a house that seemed
A swelling of the ground;
The roof was scarcely visible,
The cornice but a mound.

Since then 'tis centuries, and yet each
Feels shorter than the day
I first surmised the horses' heads
Were toward eternity.

Stopping by the Woods on a Snowy Evening

by Robert Frost

Whose woods these are I think I know.
His house is in the village though;
He will not see me stopping here
To watch his woods fill up with snow.

My little horse must think it queer
To stop without a farmhouse near
Between the woods and frozen lake
The darkest evening of the year.

He gives his harness bells a shake
To ask if there is some mistake.
The only other sound's the sweep
Of easy wind and downy flake.

The woods are lovely, dark, and deep.
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep.

My Message

by Cecil Rajendra

And now you ask
what is my message
I say with Nabokov
I am a poet
not a postman
I have no message.

but I want the cadences
of my verse to crack
the carapace of indifference
prise open torpid eyelids
thick-coated with silver.

I want syllables
that will dance, pirouette
in the fantasies of nymphets
I want vowels that float
into the dreams of old men.

I want my consonants
to project kaleidoscopic visions
on the screens of the blind
& on the eardrums of the deaf
I want pentameters that sing
like ten thousand mandolins.

I want such rhythms
as will shake pine
angsana, oak & meranti,
out of their pacific
slumber, uproot them-
selves, hurdle over
buzz-saw & bull-dozer
and rush to crush
with long heavy toes
merchants of defoliants.

I want every punctuation --
full-stop, comma & semi-colon
to turn into a grain of barley,
millet, maize, wheat or rice
in the mouths of our hungry;
I want each & every metaphor
to metamorphose into a rooftop
over the heads of our homeless.

I want the assonances
of my songs to put smiles
on the faces of the sick,
the destitute & the lonely,
pump adrenaline into the veins
of every farmer & worker
the battle-scarred & the weary.

and yes, yes, I want my poems
to leap out from the page
rip off the covers of my books
and march forthrightly to
that sea of somnolent humanity
lay bare the verbs, vowels
syllables, consonants . . . & say
"these are my sores, my wounds:
this is my distended belly:
here I went ragged and hungry:
in that place I bled, was tortured;
and on this electric cross I died.
Brothers, sisters, HERE I AM."

Invictus

by William Ernest Henley

Out of the night that covers me,
Black as the Pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.

In the fell clutch of circumstance
I have not winced nor cried aloud.
Under the bludgeonings of chance
My head is bloody, but unbowed.

Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds, and shall find, me unafraid.

It matters not how strait the gate,
How charged with punishments the scroll.
I am the master of my fate:
I am the captain of my soul.

From Septiembre

by Dolores Dorantes {translated by Jen Hofer}

Coins of shadow
scattered
upon the sun of the trees

We will buy
the most brilliant light
of eternity

Take one
the size of my heart

Give it to me

hold onto it

from your hand
to my hand

Night and Death

by Joseph Blanco White.

MYSTERIOUS night, when the first man but knew
Thee by report, unseen, and heard they name,
Did he not tremble for this lovely frame,
This glorious canopy of light and blue?
Yet 'neath a curtain of translucent dew
Bathed in the rays of the great setting flame,
Hesperus, with the host of heaven, came,
And lo! creation widened on his view!
Who could have thought what darkness lay concealed
Within thy beams, oh Sun? Or who could find,
Whil'st fly, and leaf, and insect stood revealed,
That to such endless orbs thou mad'st us blind?
Weak man! Why to shun death, this anxious strife?
If light can thus deceive, wherefore not life?

From the journals of Albert Camus

"Also important is the theme of performing for others. What rescues us from our worst sorrows is the feeling of being abandoned and alone, yet not so alone that "others" do not "take notice" of us in our unhappiness. It is in the sense that our moments of happiness are sometimes those when the feeling that we are abandoned inflates us and lifts us into an endless sadness. In the sense also that happiness often is no more than self-pity for our unhappiness.

Striking among the poor--God put resignation alongside despair like the cure alongside the disease.

When I was young, I asked more of people than they could give: everlasting friendship, endless feeling.
Now I know to ask less of them than they can give: a straightforward companionship. And their feelings, their friendship, their generous actions seem in my eyes to be wholly miraculous: a consequence of grace alone."

Excerpt from Thus spoke Zarathustra

by Friedrich Nietzsche

O man, take care!
What does the deep midnight declare?
"I was asleep—
From a deep dream I woke and swear:—
The world is deep,
Deeper than day had been aware.
Deep is its woe—
Joy—deeper yet than agony:
Woe implores: Go!
But all joy wants eternity—
Wants deep, wants deep eternity."

Samurai Song

by Robert Pinsky

When I had no roof I made
Audacity my roof. When I had
No supper my eyes dined.

When I had no eyes I listened.
When I had no ears I thought.
When I had no thought I waited.

When I had no father I made
Care my father. When I had
No mother I embraced order.

When I had no friend I made
Quiet my friend. When I had no
Enemy I opposed my body.

When I had no temple I made
My voice my temple. I have
No priest, my tongue is my choir.

When I have no means fortune
Is my means. When I have
Nothing, death will be my fortune.

Need is my tactic, detachment
Is my strategy. When I had
No lover I courted my sleep.

Sonnet CVII

by William Shakespeare

Not mine own fears, nor the prophetic soul
Of the wide world dreaming on things to come,
Can yet the lease of my true love control,
Supposed as forfeit to a confined doom.
The mortal moon hath her eclipse endured
And the sad augurs mock their own presage;
Incertainties now crown themselves assured
And peace proclaims olives of endless age.
Now with the drops of this most balmy time
My love looks fresh, and Death to me subscribes,
Since, spite of him, I'll live in this poor rhyme,
While he insults o'er dull and speechless tribes:
And thou in this shalt find thy monument,
When tyrants' crests and tombs of brass are spent.

Your Hands

by Pablo Neruda

When your hands go out,
love, toward mine,
what do they bring me flying?
Why did they stop
at my mouth, suddenly,
why do I recognize them
as if then, before,
I had touched them,
as if before they existed
they had passed over
my forehead, my waist?

Their softness came
flying over time,
over the sea, over the smoke,
over the spring,
and when you placed
your hands on my chest,
I recognized those golden
dove wings,
I recognized that clay
and that color of wheat.

All the years of my life
I walked around looking for them.
I went up the stairs,
I crossed the roads,
trains carried me,
waters brought me,
and in the skin of the grapes
I thought I touched you.
The wood suddenly
brought me your touch,
the almond announced to me
your secret softness,
until your hands
closed on my chest
and there like two wings
they ended their journey.

Eternity

by Jean Nicolas Arthur Rimbaud

It has been found again.
What ? - Eternity.
It is the sea fled away
With the sun.

Sentinel soul,
Let us whisper the confession
Of the night full of nothingness
And the day on fire.

From human approbation,
From common urges
You diverge here
And fly off as you may.

Since from you alone,
Satiny embers,
Duty breathes
Without anyone saying : at last.
Here is no hope,
No orietur.
Knowledge and fortitude,
Torture is certain.

It has been found again.
What ? - Eternity.
It is the sea fled away
With the sun.

One Art

by Elizabeth Bishop

The art of losing isn't hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.

Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn't hard to master.

Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.

I lost my mother's watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn't hard to master.

I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn't a disaster.


--Even losing you (the joking voice, a gesture
I love) I shan't have lied.  It's evident
the art of losing's not too hard to master
though it may look like (Write it!) like disaster.

Introduction to Poetry

by Billy Collins

I ask them to take a poem
and hold it up to the light
like a color slide

or press an ear against its hive.

I say drop a mouse into a poem
and watch him probe his way out,

or walk inside the poem's room
and feel the walls for a light switch.

I want them to waterski
across the surface of a poem
waving at the author's name on the shore.

But all they want to do
is tie the poem to a chair with rope
and torture a confession out of it.

They begin beating it with a hose
to find out what it really means.

White T-Shirt And Blue Jeans

by David Greenberg

Hopeless and haunted

That's how I want to look

In the sunlight

In the mirror

Of your eyes

That's the bed I made

And never slept in with you

It's still last night

This morning

There's an infinite space

Between my thoughts

And your face

A simple pose

An oblivious gesture

Hair all a mess

Pale complexion

Hopeless and haunted

That's how I look

Twisted in these sheets

White T-shirt and blue jeans

Thrown on the floor

As I wait for your body

To slip out the door

Separation

by W. S. Merwin

Your absence has gone through me

Like thread through a needle.

Everything I do is stitched with its color.

Love

by Mewlana Jalaluddin Rumi

Love has nothing to do with
the five senses and the six directions:
its goal is only to experience
the attraction exerted by the Beloved.
Afterwards, perhaps, permission
will come from God:
the secrets that ought to be told will be told
with an eloquence nearer to the understanding
of these subtle confusing allusions.
The secret is partner with none
but the knower of the secret:
in the skeptic's ear
the secret is no secret at all.